My
first opportunity to witness Soke Takayuki Kubota in action came at Ed Parker’s
1965 International Karate Championships, the biggest karate tournament in the
world at the time. Grandmaster Parker was a great guy, who was always a
pleasure to be around and who tried to make each year’s Internationals as
challenging and fair as possible for competitors, fun for spectators, and
educational for instructors and martial artists in general.
He invited
Soke Kubota to demonstrate for the instructors who met each morning in the
basement of the tournament hotel to go over the rules, make announcements, introduce
people, and present demonstrations by martial artists we hadn’t seen before. There
had been an article in Black Belt Magazine, which everyone read back then,
about this Japanese policeman who had done some amazing things, including
breaking up a prison riot unarmed and single-handed. (I later asked him how he
had managed to stop the riot. He basically said that if you hit the first guy
so hard that it did massive damage, no one wanted to be number two.) The
article included a great photo of Soke Kubota standing next to his police car. So
everyone was eager to see this Japanese policeman in action. Soke Kubota and
John Gehlsen, who was only a green belt at the time but would later become one
of our greatest fighters, put on an impressive exhibition.
Just
a few months earlier, I had returned from Korea and been discharged from the
Army. I was already a black belt, having trained both before and during my
military years, and I was looking for someone, preferably someone great, with
whom to continue my training.
Whenever
I spotted one of the early media stars, the celebrated, big-name martial
artists at any tournament, I always watched to see how good their students were.
If they were strong, I assumed they had a good instructor, who taught an
effective martial arts system. I found, however, that few had produced any highly
skilled students. What appeared to have made these instructors so successful
was not the fighting system they taught but, rather, their genetic gifts – their
natural reflexes, flexibility, hand-to-eye coordination, fast-twitch muscle
composition, and so on. Many were such great natural athletes that they could
have made any martial arts system look good, no matter how flawed. I wanted to
find someone who taught a system that could make the average person effective.
I
was very impressed with both Soke Kubota and his students. The kihon or fundamentals of his Gosoku Ryu
system were practical and effective in a fighting environment, as they were the
result of him merging his extensive street experience as a former Japanese police
instructor and bodyguard to the American Ambassador with the traditional kihon and techniques he had learned from
men like the legendary Kanken Toyama, one of his early instructors. When used
to implement his own brilliant tactical and strategic skills, the results were
impressive. His early students – men like Ben Otake, Tonny Tulleners, Harvey
Eubanks, George Damon and later John Gehlsen, George Byrd, Val Mijailovic, Boban
Petkovic, Rod Kuratomi, and others – were tough fighters, their techniques quick
and powerful as the name of his style, Gosoku Ryu, Hard and Fast, implied.
In
addition to demonstrating at the instructors’ meeting, Soke Kubota also
demonstrated at that night’s black belt finals. Part of his demo included
sparring with one of his black belts, Tonny Tulleners, who was the tournament’s
middleweight black belt champion. (Tonny would later win the bronze medal at
the first WUKO World Karate Championships in Tokyo in 1970.) Next, Soke Kubota
sparred with the lightweight and heavyweight black belt champions individually,
then all three at once. Of course some of their techniques would likely have
“scored” during the long, three-against-one match had a win been determined by
tournament rules, rather than by the rules of budo. But in attempting to score on him, they had to move close
enough to reach him, which enabled him to grab and control them. From there, he
could have easily delivered one of his brick-breaking, bone-crushing punches, had
he chosen to do so. But even had any of them tried to do more than merely score
a controlled tournament point, he had already established his ability to take a
tremendous amount of physical abuse without diminishing his ability to continue
fighting.
He had
started his demo that evening by “warming up” his hands and legs – beating his knuckles
and shins with a sledge hammer. So everyone was well aware of his own
incredible toughness. As Okinawan and Japanese masters had long taught, his personal
training in the martial arts had not only focused on learning attack and
defensive skills but also on body toughening, making himself better able to
withstand whatever his opponents might attempt to do to him during an actual
attack.
This
was true old school training, which Soke had undergone beginning when he was a
small boy growing up in Kyushu. It was wartime and everyone in Japan, including
four-year-old Takayuki Kubota, was being mobilized to defend their homeland, fighting
on the beaches hand-to-hand if necessary. He said that he and the others would punch
a heavy, makeshift punching bag 500 times each morning to toughen their hands
and strengthen their striking techniques; then they would do the same with
their feet, kicking the heavy bag 500 times to toughen their feet and strengthen
their kicks.
In
addition, he religiously practiced “bottle training,” beating his shins each
day with a beer bottle to deaden the nerves. As an adult, this enabled him to deliver
a ferocious shin-to-shin sweep that struck fear into the hearts of anyone who
knew about it and were asked to spar him. “Sweep me,” he would tell visiting
black belts who had come to train with him. (And the bigger they were, the
better.) When they came around to sweep him, he would snap his lead leg back, pop
his hips around, and smash his shin against the black belt’s shin, taking them
to the floor.
What
had impressed me greatly at Soke Kubota’s demonstration at the Internationals was
his warrior’s attitude. He had such confidence in his ability that he never
worried about testing himself against people he had never met, let alone fought
before. And he did it in front of a standing-room-only assembly of top martial
artists from at least this hemisphere.
His
demos were always unplanned, spontaneous events. After I joined the IKA and
began training under Soke, I was occasionally selected to demonstrate with him.
He always told me simply to attack. When I asked, what type of attack he
wanted, he would say “Any okay.” Do anything. Even when demonstrating in front
of many of the top martial artists in North America at the Internationals, he
wasn’t the slightest bit worried about being up to the task or looking bad,
which was in stark contrast to what others who demonstrated that night had done.
All gave choreographed, well-rehearsed presentations, and looked it. In one
multiple-man attack scenario, an “attacker” fell down at the wrong time. When
he realized it, he got back up, to the amusement of the audience. Soke’s demo
was nothing like that. When he put someone on the mat, they knew it and usually
stayed down at least long enough to run a physical inventory to make sure everything
was still working as designed.
In
1966, I hosted the U.S Karate Winter- National Championships and invited Soke
Kubota and Bruce Lee, who was living with a friend in Oakland at the time, to
demonstrate. Chuck Norris drove up from Redondo Beach with some of his students
and won his first Grand Championship. The event gave me the opportunity to
speak in-depth with Soke Kubota and a few of his students. I found him very
down-to-earth, a humble man with a wonderful sense of humor. He always made everyone
feel at ease and was as comfortable with white belts as with the most senior
black belts. What I heard and what I had already seen convinced me to join the
IKA.
I
have truly been blessed throughout my 64 years in the martial arts and owe so
much to so many who helped me along the way, men and women who were not only
wonderful people but also tremendous martial artists. Soke Takayuki Kubota was
one of the most important of these and I’ll always be indebted to him.